Louis Wain 1860-1939 – Life Story and His Funny Cats and Dogs Art

With reference to his family he had 5 younger sisters and his father worked as a textile salesman and his mother designed Church fabrics and carpets.

Louis Wain studied and trained at The West London School of Art ( 1877- 1880 ) and remained as an assistant teacher until he left in 1882. The strange thing about Louis Wain was he could draw with his left hand but he signed his pictures with his right hand.

After his Father’s death in 1880 he had to support his mother and five younger sisters and soon after, his sick wife Emily Richardson ( His youngest sister’s governess ) whom he had married in 1881. Shortly after he married her she contracted Breast cancer. He brought Emily a Kitten which they called Peter and to entertain her he started drawing Peter in humorous situations and poses. To help to support his family he became a freelance artist (initially influenced by Caldecott and May) and in 1882 he joined the staff of The illustrated Sporting and Dramatic News. He began to make his name with Dog drawings at various Dog Shows including the early British National Dog show at Crystal Palace in 1882 ( which later became known as Crufts ). During this time his wife encouraged him to send some of the humorous cat pictures of Peter to various Magazines and Newspapers which started to make his reputation here in Britain and in America and where his humorous cat pictures were seen in Comics, newspapers and magazines.

In 1884 he was commissioned to produce his funny cat pictures in the Christmas edition of the illustrated London news. These pictures were so successful that his life would never be the same again. Alas, this was tinged with sadness as his wife died shortly afterwards, but knowing that Louis Wain had become a great success.

In the period from 1880’s up to the start of the first world war he ruled supreme in cat and animal humor especially the ‘Louis Wain Cat’ which was recognized worldwide. The Louis Wain cats appeared in Art Prints, Comics, Newspapers, Books, Magazines, Post Cards and Annuals. The Wain cats are to be found in every human activity – from playing golf and other sports, digging up roads, Playing music, Ascot fashions, Driving cats plus lots more.

In 1886 he joined the staff of The Illustrated London News. He was the first illustrator to work consistently within the convention of depicting clothed and standing animals. His anthropomorphic vision of the world soon brought him fame and as a result he was elected President of the British National Cat Club in 1891.

In 1904 Louis Wain wrote a book entitled ‘In Animal land with Louis Wain’ which was a great success. During 1907 he invested all his savings into various Ceramic’s with pictures based on his funny cats and sent most of them to America. Alas, while crossing the Atlantic the ship capsized and all Louis Wain ceramics went to the bottom of the sea. Due to this misfortune Louis Wain went bankrupt and decided to a temporary move to the United States. He produced strip cartoons for the New York American ( 1907-1910 ) and many other American comics, newspapers and magazines.

In 1910 he returned to England and over the next few years he continued to produce books and supply pictures to various comics, newspapers and magazines.

He continued drawing fanciful cats for various newspapers and comics near the end of the first world war. During this time in 1917 he was thinking of experimenting in animation and the film was to be called ‘Pussyfoot’. Alas, he decided not to pursue this project and so the world lost the chance of a genius of comic cat art moving into animation. This year was a turning point in the history of Louis Wain’s cats. His sister Caroline died and he fell off an Omnibus and hit his head.

After he recovered from these set backs his cats became more frenzied, surreal, jagged and pointy. During 1917 he was also diagnosed as a schizophrenic which alas, stayed with him for the rest of his life. During the onset of his disease at 57, Wain continued to Paint, Draw and Sketch cats.

In 1924 due to the economic climate and the slow recovery of GB after WW1 Louis Wain Art became less popular and he fell into poverty when his mental health deteriorated and finally his family had him certified Insane and he was committed to a pauper ward at Springfield Hospital ( Previously Surrey County Asylum ) at Tooting, London. During 1925 he was discovered by a visitor to the hospital painting his funny cat pictures. The visitor exclaimed that the artist pictures reminded him of Louis Wain’s famous cats. Imagine his surprise when the Artist turned to the visitor and exclaimed he was indeed Louis Wain. After the visitor told the world of Louis Wain’s hospitalization, his admirers started a campaign which included prime minister Ramsey Macdonald, HG Wells and King George who helped set up a foundation which was set up to enable Wain to spend the last few years of his life in comfort in private asylums including Bethlehem Hospital in a private room where his treatment continued. Some time in the late 1920’s he was sent to Saint James Fields, Southwark where he continued to paint and draw his cats. In 1930 he was transferred to Napsbury Hospital near Saint Albans where he continued to paint and sketch until the end of his days. Exhibitions of his work were held in London in 1931 and 1937. On 4th. July Louis Wain died at Napsbury hospital. He is buried at Saint Mary’s Catholic Cemetery, Harrow Road, London NW10 ( next to Kensal Green Cemetery, London ) in the same burial plot as his 5 sisters and parents.

One of the famous quotes during his lifetime was by HG Wells who said ‘He invented a cat style, a cat society and a whole cat world’.

Impressive Jewelry Photography For Impulse Shopping

Bracelets and similar jewelry are luxury products. Many purchases are made by impulse rather than for a particular occasion. These kinds of sales are made because a customer makes the choice, not because there is a necessity for the product.

In e-commerce, it is very important to implement quality jewelry photography because a sale or a rejection is only a click away.

Sending the right message in any business is important to success, especially in the jewelry field. Because photography of bracelets, rings, pendants, necklaces and similar items is much more difficult than many other staged items, it can be easy to have images that do not present the products in their best light.

The saying, “A picture is worth a thousand words,” is true of good pictures. People selling products in magazines and online sometimes settle for photographs that are not worthy of much conversation at all. If people aren’t talking about the jewelry, they certainly aren’t going to be buying it.

If you want the best photographs for jewelry, don’t use just any photographer because there are some who specialize in this kind of work. If you plan to take your own pictures, be prepared for a challenge.

If you have experience in digital photography and photo retouching, you can make excellent reproductions with some practice and dedication. Keep in mind that bracelets must have high clarity to look appealing, but cannot have so much contrast that they appear surreal. You should try to achieve a picture that is as near the original item as possible, with the addition of some sparkle.

Any photograph you make should be closely compared to the subject of the photo for not only detail, but variance in hue also. As you know, slight inconsistencies in lighting can cast shadows and cause colors to appear untrue.

Some corrections can be made with brightness and contrast within photo correcting software, but proper lighting during the shoot is imperative.

When you view your photographs on the computer, keep in mind that the photograph will not always look the same when printed. Any comparisons made between the original and a picture can only be made with a hard copy. This should be printed from the same machine that will produce any photographs that are to be placed in circulation.

If the photographs are to be viewed online instead of in magazines or fliers, then your only way of matching a bracelet to an image is through your computer monitor. You have no control over settings of other people’s viewing equipment, so you can only make sure that the images you see are realistic and well lit.

When viewing any digital photograph for publication, have it sized as it will be uploaded to a website. When you first take the picture, it is very large and it has to be decreased in size to meet allowable limits for the web.

Although much of your editing should be done on your bracelets photos prior to resizing, you can’t really tell how they will appear until you present them in the size that they will be viewed.

An Appreciation of Surreal Artist Paul Klee

Paul Klee was a German and Swiss painter and musician who lived from 1879 to 1940. He took abstract art to a new level with his paintings that captured surreal imagination. Paulklee.net is a website dedicated to his memory, showing his art work, quotes and biographical information. His work is best described as unique, colorful and symbolic of dry humor and open minded thinking. Klee spread his radical artistic expressions as a teacher at the German Bauhaus School of Art, Design and Architecture. The site also presents videos of his paintings set to upbeat adventurous instrumental music.

Klee was raised by a musical family, as his father Hans was a music teacher of vocals, violin, piano and organ at Bern State Seminary while his mother Ida was a singer. Paul Klee learned to play violin by age 7 and by age 11 was considered an exceptional member of the Bern Music Association. As a musician he appreciated traditional music of the 1700s and 1800s but was unimpressed with the music of his era. His interests shifted from music to visual arts as a teenager, in which he wanted to break free of traditional art and experiment with new ideas.

The site gives deep insight on Paul Klee’s motives behind his art. Color, for example was a tool that Klee used to convey optimism and nobility in art as an alternative to the sarcasm and pessimism depicted in his black and white pictures. The site also explains Klee’s exploration into cubism and asbstract painting. Cubism is a form of modern art that breaks up objects and reassembles them with a 3D effect in a manner that appears abstract. Klee joined the German military during World War I and began to explore abstract war themes in his lithographs.

Before leaving Germany for Switzerland in 1933, Klee went on a prolific spree of creating hundreds of pictures including one of his most celebrated works of art, His Ad Parnassum in 1932. In 1939 his output had increased exponentially, using geometric shapes to convey moods. Toward the end of his life his art leaned toward pessimism, particularly with the painting “Death and Fire.” His surreal art culminated in a reflection of humanity with a degree of sadness and subtle warning.

PaulKlee.net pays tribute to the artist in a way that maintains a sense of futuristic expressions. When you click the painting gallery you are instantly taken into a realm that merges past, present and future. The past is conveyed through the classic art itself, while the present is felt in the interpretation of the art, which takes you outside the norm of all formulas. The future is sensed from the unexplained mystery of the art, such as the shapes that defy conventional geometry and color schemes that go against the grain of typical design.

“A line is a dot,” according to Paul Klee, “that went for a walk.” The site lists several other Klee quotes that reflect his unique view of art and his brilliance of using art as a medium to communicate social messages. The site is also a very useful starting point in learning about the life of Paul Klee and his vision of the world through innovative art.